The layout of this compilation is total shit, but that you could already tell from the logo, made up of turds and flies. Honestly even if I adore this crappy sounding music for maniacs, I would have liked a better booklet, maybe woth something more that just contact addresses. Small record covers and a liner note or two per record would have been the least. Anyway this is not stuff for high-class collectors. This record is ugliness incarnate and so is the packaging, and I go with it finely.
I am not impressed by the cover art and layout 100% but no shit – this is super professional and original. Easily not only the best Grindmind release so far (this label is getting better and better each month, watch out for its world conquest!) but definitely one of the 5 best releases of the last year. Amazing.
PS: Someone shot Grudge‘s singer in the face please!
Honestly speaking, I don’t like much the riffs themselves, in particular the fact they’re a bit too fast to crush with heaviness, and too slow to shred with ferocity. Mostly it’s a collection of real average guitar chords, stuck together with some samples and a cricket vocal approach that probably would fit better an American Death Metal band in the vein of Sikfuk or Bound and Gagged than dirty grind. They’re however the best thing on their side anyway.
Of all the songs I probably liked most the mast one, “Please Fuck Me!”, as it’s probably the most weird and wicked of them all. Cover art looks like a variation of Mike Diana’s old works. Funny and cool… even if comic book art is getting a bit inflated.
Epileptic Fist Fuck cannot definitely be described as a goregrind band at all: their complex guitar work, triggered double bass and double vocal style that comprises a more froggy, controlled approach sets them on a ledge closer to strictly “brutal death” bands in my opinion. Not properly Devourment nor Lividity, we’re talking about something a bit more modern. I guess this could easily be a Lacerated Enemy release if you know what I mean. The lyrics are not present but the song titles are a bit in the vein of Incestuous, Retch or Waco Jesus, just to name one of the more acclaimed bands of the moment. I am not particluarily enthusiastic about bands where the drums sound like morse code, but it would be unfair to say they also blatantly suck. They play a decent brand of Brutal Death with multiple vocal layers, a clicking drum sound wchich is defintely not the best, and some miscellaneous ideas thrown in. I hate the funny bridges like “never had a blowjob”, this thing is getting quite boring don’t u think?
I already knew these Grumo songs, this band keeps playing their simplicistic, bare, punkish high-school semi-goregrind with some signs of improvement in the field of song writing, but it seems the ideas a re a bit stale. The recording is still quite bad, the sound way too thin for a sludgy goregrind band, but in the end I appreciate the noise bursts of rage a la Anal Cunt. I would personally hack away 80% of the riffs and crappy shouts and change the recording to something way more massive, and we could get something fun to hear. I still cannot bear Italian lyrics but I am slashing at an open wound ehe.
Phlegm Thrower is so far my favorite in the bunch. Totally crazied, sick goregrind with machinery like vocals and a sound so sick and dirty it makes the headphones fizzle. Not ad bulldozing as Carnival of Carnage, but definitely a good shot of insane noise-gore-grind with super intestinal vocals. It always seems as if this guy is about to puke big chunks of vomit. I heard this sound on a japanese movie I saw once, when this girl was filling a vat with retch and drank it all back. This band is damn sick, I will make an exception to the rule of being sick of drum-machine bands, as this is actually fun. Everything here is casual, but in a deranged way, not for amateurish efforts. Cool.
Satsugai are not doing anything very special. They sound a bit like a cheap version of Gonkulator with extra high-school grind thrown in. There are hints at the Meat Shits, but mostly it’s a bunch of riffs roughly sewn together. They squeal, they shriek, they croak, but when things get interesting a new French intro gets between the balls, and well, that’s not what I personally expect. The recording gome and goes, and it really sounds little more than a rehearsal. Not rough and not sick enough. And those Sikfuk like vocals are not very fitting the songs either. I step further, thanks.
Malignant Germ Infestation is nice.They remind me a bit of Anal Probe Android. Very artificial sounding, even close to rave music, but with bullfrog-like vocals. The drum machine is definitely cold, but this time it fits the scheme quite well. Here we have curious hybrid of heavy disco electronics and sludgly goregrind which I somehwat liked. This is probably not something I will hear often, but the whole thing has a sick reason to exist. I don’t even know how to explain. This is however much better than stuff like the latest Gut or Space Shiters – by a fucking score. Very weird, and possibly the strangest of the 6 bands contained herein. I still prefere Phlegm Thrower, but this comes definitely second.
Bukkake Violence Kommando is also a known name here at the Nuclear Abominations headquarters. With their Meat Shits-esque 1 second songs, frequent porn samples and furious roaring noise they make up for one of the most interesting bands in Italian ground. They could probably put even less silence between the songs, as there are a lot, but I won’t complain. They have a good, nasty, sick, sound and personality and get my full support. This is noise-shit with an eye towards the past when noisecore was retransmitted through hand made tapes. Good shit.
The layout is, as usual, routine 3 minute Photoshop work, with stretched band pics and unreadable data. But what the fuck, one day we might as well miss these days of genuine artistic incompetence ah ah!
Satan’s Revenge of Mankind (always from Germany) instead didn’t impress me much with their previous full-length album, so dangerously close to the plainness of the routine goregrind of Space Shiters. These tracks, however are somewhat cooler. The snare drum has now a sound so damn clanky that it makes Pungent Stench sound like Sepultura, but I still like it. The sludgy, slow parts are deliciously German in style (CBT, Bitch Infection etc.), and actually there are real fast blasts ripping the songs away from a perennial mid tempo. The vocals are grace and damnation of ths side however, sometimes decently frog-like, but at times they really sound a bit struggling -gone are however, the real terrible barks a la Bestial Devastation – thanks Satan! There may be no really memorable moments in this SROM side, but these tracks are nonetheless cool German mid paced fun – optimal for slamming rhytmically the arms in the air like an idiot at a beer fest. Good shit to hear when drunk, even if even I have to admit this stuff is a bit inflated these days. 6.50 in my book.
In my opinion Hymen Holocaust (Holland) hits the right spot a bit harder than the two disc mates. Their sound is so sick and sewage, the distortion fermenting with rot and grime, I cannot but feel some sympathy for this son of a bitch. The riffs are actually a bit boring taken singularly, but the song flow is reinforced by the messy sound and a super sick array of gargling vocals. This is a band that plays Goregrind the way I see it, with a disgusting vocal style that really sounds as if the singer is about to puke anytime. I have no idea how artificial they are, but the final effect is quite good. To tell the truth, I am not a huge fan of Cliteater, and to me this Hymen Holocaust project sounds a bit better than the main band. Contrarily to the previous bands also, there is no sign of bulldozing German chugs, but have instead a more omogeneous Brutal Death/Grind sound with some slow chunks of slam galore scattered in. Seven fifty, sir.
The layout of this Cd is cheap beyond belief, main weak point of this release. As normal for recent goregrind releases, it just looks cheap. The choice of colors is appalling, and even if for once all the images seem to be the right resolution, the way the elements are placed are almost as bad as old Necroharmonic Cds. I guess it’s time for goregrind to start curing a bit more its looks.
That said, I am a bit disappointed by these new Impureza tracks. The band has undergone a really heavy stylistical turn since the previous songs I remember. The songs are now sung in Spanish (?) and have even a load of flamenco (!) intermezzos in the middle, plus several structural references to latin music which, while executed in a flawless manner, I really found a bit too much for my narrow tastes. I have listened to these tracks more than once but cannot really get into them. Might be becouse I really find all latin music boring and unnerving and I also don’t really like the language too. If you separate the bollocks, the band still has the full force crunch it had in the past, but I am more into Morbid Angel than Atheist if you know what I mean. Political 6 – just for the spirit. Superior musicianship and excellent recording make these tracks quite interesting. The third track is a real blast though – have a listen.
“Full Metal Jacket” has been inflated a bit for intros but is always fun to hear. It’s a good introduction to Sweden’s Arsonist, whose name made me run for cover in fear of hearing some emo haircut sissies playing the Dillinger Escape Plan clones. No shit, Arsonist instead play pure Death Metal the Nihilistic Holocaust way (it’s becoming a mark of quality) – this means no aimless baggy pant brutal chugging, but just pure Death Metal killer riffs, powerful vocals and a good balance of solos. Some riffs remind me of old Cannibal Corpse but this really do not end here – staying in Swedish ground one might even collect moments of Genocrush Ferox, Strangulation and Immersed in Blood. The bass guitar has a massive sound but it just wraps the tracks in a distinctive sick low saturate vibe instead of just popping out in the middle like in Primus. Arsonist is good stuff, brutal in an old fashioned way without sounding retro. Brutal riffs, deep growls and power riffs abound, neat shit indeed. I would shoot a full 8.
Sudden Death have among the worse song titles in the world in this split (I”nsert Coin”?? “Broken Wings”??) but compared to Arsonist they’re somewhat faster, even if characterized by a gently rougher – almost garageish recording. While powerful and fast, I am not convinced 100% by the vocals but that does not mean they’re not good, just not competely deep as the previous bands so they just might sound a bit odd in the 4 way. The riffs are not amazing either, even if the songs are carefully balanced in terms of power chords and hyperblasting. The slower to mid-tempo parts – that have historically made Italy the worse country in the world in this field of Thrash/Death – are here too not overly catchy, so the songs just seem a bit flat even tough we’re on good levels in general. I’d drop the mid tempos and cure the faster parts more, or a potentially good band like this risks to end like Obscenity or Pavor in the limbo of routine German Death Metal… 7 nonetheless.
I haven’t heard the full length from Ingurgitating Oblivion but I remember this band was good, just did not remember HOW good it was. This is just the kind of pure 100% Florida Death Metal with the right share of demoniac vibrations and hyperbrutal sound. Darkness and fury unleashed. I could compare this band to our Hour of Penance, they’re really fucking killer. It’s been a while since I haven’t heard good shit like this. I could cite Serpents Aeon, Pessimist, Diabolic to give a rough idea of what kind of muzak we’re talking about – really impressive shit. 9,00 in my book.
I have really appreciated Gabriel’s personal creation on the cover of this Cd, much better than the old one. I just am not sure if this split is on Cd-r or if it’s just the promo copies that have been home burned. But I’d go for the first since my one is hand numbered (#143 of?). To sum it up – I wish there were more compilations like this…
