Category Archives: Denmark

Satanik Goat Ritual/Vomit Angel “Cacodemon” split 7″, Blasphemous Arts (2019)

Oggi il Dottor Marciume ascolta: Satanik Goat Ritual/Vomit Angel “Cacodemon” split 7″, breathless demonic Black Metal vs ugly and metallic Grindcore, Blasphemous Arts (2019)

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What do you get when you assemble rotting shit expelled from Morbosidad and Sadogoat/Sadomator? A hell of a good 7″ I can guarantee with a certificate of sickness.
The care taken to release this vinyl is vibrant, it comes with a poster and insert other than a black innersleeve, and the cover itself is a piece of art by none other than Paolo Girardi this time in b/w, I personally love the fact that the art has some reminiscence of old 70’s horror comics and the layout is genuinely simple. The only thing I don’t like is the color on the logos, they could have gone entirely black and white and the final result would have been twice as good, two colors is way too much for the music of Satanas.

Other than that, Satanik Goat Ritual is a monstrously sick creation of grinding southern blasphemy, they have the choking, hyper-saturated sound that locks you in one-inch face to face eye contact with the demons of the Abyss. They have such a suffocating sound that when you turn to Vomit Angel they get a little displaced. I have the whole discography of Sadogoat since day one, but never managed to hear this band before, they sound like a more punkish incarnation but with rotting influences of early grindcore like Gut or Gonkulator, and that vaguely garage atmosphere of late ’80s protodeath metal bands (think of the earlier Nihilist) I am not entirely sold to be honest, they’re certainly raw and I appreciate the uncontrolled attitude but there is some extra alcoholic fun I prefer not to have in my tea.
All in all the idea of combining the bands was excellent anyway.

Vote: 💀💀💀💀💀💀💀

DAWN OF DEMISE (Dnk): “…and Blood Will Flow” demo Cd 2006 s/p

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Uhuh! So Jacob Hansen owns a recording studio now? Is it the same guy behind Invocator and Maceration? if we’re talking about the same guy, he did a pretty decent job with this band at the recording console.

From a broad perspective there is nothing wrong with Dawn of Demise. The band plays solid, chunky brutal Death Metal with very deep vocals and an american imprint. Even when the songs speed up there is a sense of intrinsic staticness which the band probably looked after to make the whole sound even more granitic, think of a moderate version of late Deranged or mid Meshuggah (death metal version). My point however is that once you want to make everything as solid and as compressed as possible with constant palm muting chugs and so on, you could as well push through it to the end as Deranged does. Danish bands historically lacked “it” even when the crunch was pretty decent (except maybe, Infernal Torment?) and I am afraid we’re not far from that situation with this 3-track as well. Don’t misunderstand me – this is honest, well written stuff with a great emphasis on the groove, and it might be good stuff to hear at 4pm in some late night after show in any Germanic country, yet I believe the music fits the crispy recording and the heavily CGI-elaborated cover art: they’re neat but a little bit lacking of “sickness”. I can’t say I don’t like deep growls, power chords, or bloodstained knives, but all of this sounds a little bit polished for my tastes, and I just can’t force myself to like the mosh-pit grooves, although I know somebody else is looking for exactly this stuff.

Bear with me now: my number one rule for great Death Metal, is “if you can dance at it, it can’t be good”.