Schizoparanoic Platoon “Warfare: Mass Annihilation” MCd, 2019

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Oggi il Dottor Marciume ascolta: Schizoparanoic Platoon “Warfare: Mass Annihilation” MCd, Martial und militaristic Death Metal from Greece, 2019 Askio

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Very acidic, rusty, warmongering Death Metal is what we get from this decently prolific band from Greece, whose latest EP (this) has also been recently repressed on tape by Infested Morgue rex.
Battlefield insanity is what better defines this band, in a more acidic “Voivod projected 300 years in the future” or a more brutal static version of Marduk/Exmortem way more than Bolt Thrower. I personally wan’t sure of this recording the first time I put this one in the record player but the cyclical obsessive sound dug in rather quickly. The vocals are stern and arrogant, just shouting orders on top of a squadron of tracklaying bass/drum machinery.
Misleadingly monolithic, there is also more stuff going on within this suffocating mass of sound than what might seem at first.

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Black Prophecies “Azathoth” demo, 1988

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Oggi il Dottor Marciume ascolta: Black Prophecies “Azathoth” demo, Black Metal from Genova, s/p 1988

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Before the post-“Hammerheart” deviation and nazi roleplayers raised in Iraq there was a time when Black Metal was still a name known to few and dealt with scary esoterica and horror. Among the handful of bands that pioneered the genre in the ’80s we had the great local Black Prophecies who, a bit like Morbid Angel, mixed elements of lovecraftian cosmic horror with the dark side of religion.
Along with other bands like Poison, Semen of Satan or Hastur from Peru these bands defined the term Black Metal at its best, when despite (and because of) almost unintelligible rehearsal quality you get the sense of absolute loss and perdition, of being caught in a maelstrom of formless beings of teeth and horns ripping you to pieces but while Death Metal intends to inflict pain to your soul outwards from the rending of flesh, this music was supposed to tear apart straight at the soul, bringing pain outwards from the inner self.
There are screams of agony in this putrid mass of sound that resemble a grotesque reassembling of extreme metal elements, the inch by inch skinning of the spirit done through the olystic combination of atmosphere and brutal demonic violence: the riffs are straight to the point, at the same time minimalist but ripe of negative energy, and the evocative, tribal drumming perfect for the job, sometimes everything slows down to a grinding, scary atmosphere that defines the term BLACK. It’s part Medieval Prophecy AND part Christ’s Death, you’re damn lucky you can get it in the brilliant collection that Terror From Hell Records released in 2012.

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Satanik Goat Ritual/Vomit Angel “Cacodemon” split 7″, Blasphemous Arts (2019)

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Oggi il Dottor Marciume ascolta: Satanik Goat Ritual/Vomit Angel “Cacodemon” split 7″, breathless demonic Black Metal vs ugly and metallic Grindcore, Blasphemous Arts (2019)

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What do you get when you assemble rotting shit expelled from Morbosidad and Sadogoat/Sadomator? A hell of a good 7″ I can guarantee with a certificate of sickness.
The care taken to release this vinyl is vibrant, it comes with a poster and insert other than a black innersleeve, and the cover itself is a piece of art by none other than Paolo Girardi this time in b/w, I personally love the fact that the art has some reminiscence of old 70’s horror comics and the layout is genuinely simple. The only thing I don’t like is the color on the logos, they could have gone entirely black and white and the final result would have been twice as good, two colors is way too much for the music of Satanas.

Other than that, Satanik Goat Ritual is a monstrously sick creation of grinding southern blasphemy, they have the choking, hyper-saturated sound that locks you in one-inch face to face eye contact with the demons of the Abyss. They have such a suffocating sound that when you turn to Vomit Angel they get a little displaced. I have the whole discography of Sadogoat since day one, but never managed to hear this band before, they sound like a more punkish incarnation but with rotting influences of early grindcore like Gut or Gonkulator, and that vaguely garage atmosphere of late ’80s protodeath metal bands (think of the earlier Nihilist) I am not entirely sold to be honest, they’re certainly raw and I appreciate the uncontrolled attitude but there is some extra alcoholic fun I prefer not to have in my tea.
All in all the idea of combining the bands was excellent anyway.

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Incubus “Incubus” 7″, 1987-1989

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Oggi il Dottor Marciume ascolta: Incubus “Incubus” 7″, THE Death Metal, Gore (1987-1989)

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There is basically no excuse not to own this record if one listens to Death Metal, as it captures the true Death Metal essence in its most untainted form. Because, yes, Death Metal is something way more than gore lyrics and blasts, something that I believe many people are missing today, especially coming from other genres. It’s the vibrant energy of blood and transition, of pain and trespassing, of loss and blissful abandonment. Recorded back in 1987 and re-released on a legendary German label that also released a bunch of other huge classic vinyls like Asphyx, Disastrous Murmur and Macabre, this EP contains all of this and more. Think of the schizophrenic vocals and drumming of Nuclear Death transferred into Morbid Angel’s demos and you get an idea of the necromantic leather and spikes savagery of this immense recording. You get all the intricate distant riffing, delirious solos, crazy vocals, all the three-dimensional textures of sweat, spikes, and black leather that this music used to stand for. I still rate it one inch from Morbid Angel or Necrovore, but these guys were playing in the same game and they definitely got to the finals.

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Lobotomy “Against the Gods” tape, 1992

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Lo so che volete i vecchi classici quindi ogni tanto parliamo di qualcosa di vecchio.

Oggi il Dottor Marciume ascolta: Lobotomy “Against the Gods” tape, swampy and chunky Death Metal from early Sweden, Raptured Anus 1992

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It took two years for this band to record a second tape after the IMMENSE 1990 “When Death Draws Near” debut ❤, one of the best Swedeath demos of the time, a thing so dark and heavy it could well be Finnish (whopss!). This band released albums so shitty during their late career that someone might be deceived in thinking they were never any good and they would be wrong as fuck. Loyal to the “first demo was better” adagio, which despite webzine SunnO hipster editors actually is absolutely true of most scandinavian death metal bands, this is a band which released a cvlt gem in the golden year of the genre. To be honest, this second effort is not nearly as good as the first one but I believe it’s mostly due to thinner production and a thinner sound as structurally it’s not much different. This is classic solid mid tempo Death Metal with guttural vocals and some very vague 80’s slayerish riminiscences, but with way more chugs, could be a bit like Grave’s poorer cousins if one wants to classify different schools of a subgrenre’s subgenre. This plus the following demo were both repressed on CD by almight Thrash Corner label from Puerto Rico 25 years ago, I have currently no idea of the cost of that CD today but it was a pretty cheap second spin basket kind of record (means it’s probably worth 20000 euros after the age of Ekeroth).
Impossibly small font makes my old eyes ache to read anything now, but there is a nicely sized fuck of list in there that includes some words that mr Zuckerberg won’t appreciate ahah.

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Deformity “Obsessed With Death” tape, 2010

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Oggi il Dottor Marciume ascolta: Deformity “Obsessed With Death” tape, ingenuous proto-brutaldeath from Costa Rica, Visceral Vomit/Murder 2010

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Despite the lineart cover and OSDM typewriter layout Deformity is a prom night would-be Brutal Death metal band from Costa Rica, my guess is their southern world origin somehow safeguarding them from going all out guido slam, they sound more like a hugely simplified version of Internal Suffering. They are decently fast and tight for being so young (maybe not so much, two of them put their sons in the thanklist).
This band has an amazingly naive 90’s teenager attitude, one song even starts out by ripoffing “Sense of Demise” by Sinister so much that I thought it was a cover. And the song titles like “Freddy Krueger” are so eastern block thrash I cannot help but liking them. It’s somehow weird because this band is still active and even wrote two full-length albums so far, go figure.
My favorite part of this tape is the snail address featured “800 meters sur del salon la cima, plantel de aya”.
Nothing special but I have no method but randomness to pick records to review lately.

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Entropic Degrade Behind Phylogeny “The Absence Screamed Ten Times” CD-r 2004

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Oggi il Dottor Marciume ascolta: Entropic Degrade Behind Phylogeny “The Absence Screamed Ten Times” CD-r, full blast bulldozing goregrind from La Spezia, s/p 2004

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You might be surprised how massive the sound of this thin CD-r is. This is a band that managed to replicate the breathless pummeling of the eastern block goregrind masters like early Squash Bowels and Dead Infection with that additional dose of loose relentless uptempo hammering that only bands Inhume managed to hit. It is no surprise I believe that just like the dutchs some of the members have different backgrounds, Gionata will forgive me if I state that this is possibly the only band he played in I enjoy ah ah! There is no space for breathing on this record, and I think it’s a real pity we didn’t get more of this great shit. Stylistically speaking the band had serious potential, I really liked their grotesque artworks and insane Abscess-like handwriting!

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