Category Archives: La Cripta del Marciume

Incubus โ€œIncubusโ€ 7โ€ณ, 1987-1989

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Oggi il Dottor Marciume ascolta: Incubus โ€œIncubusโ€ 7โ€ณ, THE Death Metal, Gore (1987-1989)

There is basically no excuse not to own this record if one listens to Death Metal, as it captures the true Death Metal essence in its most untainted form. Because, yes, Death Metal is something way more than gore lyrics and blasts, something that I believe many people are missing today, especially coming from other genres. Itโ€™s the vibrant energy of blood and transition, of pain and trespassing, of loss and blissful abandonment. Recorded back in 1987 and re-released on a legendary German label that also released a bunch of other huge classic vinyls like Asphyx, Disastrous Murmur and Macabre, this EP contains all of this and more. Think of the schizophrenic vocals and drumming of Nuclear Death transferred into Morbid Angelโ€™s demos and you get an idea of the necromantic leather and spikes savagery of this immense recording. You get all the intricate distant riffing, delirious solos, crazy vocals, all the three-dimensional textures of sweat, spikes, and black leather that this music used to stand for. I still rate it one inch from Morbid Angel or Necrovore, but these guys were playing in the same game and they definitely got to the finals.

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Deformity โ€œObsessed With Deathโ€ tape, 2010

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Oggi il Dottor Marciume ascolta: Deformity โ€œObsessed With Deathโ€ tape, ingenuous proto-brutaldeath from Costa Rica, Visceral Vomit/Murder 2010

Despite the lineart cover and OSDM typewriter layout Deformity is a prom night would-be Brutal Death metal band from Costa Rica, my guess is their southern world origin somehow safeguarding them from going all out guido slam, they sound more like a hugely simplified version of Internal Suffering. They are decently fast and tight for being so young (maybe not so much, two of them put their sons in the thanklist).
This band has an amazingly naive 90โ€™s teenager attitude, one song even starts out by ripoffing โ€œSense of Demiseโ€ by Sinister so much that I thought it was a cover. And the song titles like โ€œFreddy Kruegerโ€ are so eastern block thrash I cannot help but liking them. Itโ€™s somehow weird because this band is still active and even wrote two full-length albums so far, go figure.
My favorite part of this tape is the snail address featured โ€œ800 meters sur del salon la cima, plantel de ayaโ€.
Nothing special but I have no method but randomness to pick records to review lately.

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Entropic Degrade Behind Phylogeny โ€œThe Absence Screamed Ten Timesโ€ CD-r 2004

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Oggi il Dottor Marciume ascolta: Entropic Degrade Behind Phylogeny โ€œThe Absence Screamed Ten Timesโ€ CD-r, full blast bulldozing goregrind from La Spezia, s/p 2004

You might be surprised how massive the sound of this thin CD-r is. This is a band that managed to replicate the breathless pummeling of the eastern block goregrind masters like early Squash Bowels and Dead Infection with that additional dose of loose relentless uptempo hammering that only bands Inhume managed to hit. It is no surprise I believe that just like the dutchs some of the members have different backgrounds, Gionata will forgive me if I state that this is possibly the only band he played in I enjoy ah ah! There is no space for breathing on this record, and I think itโ€™s a real pity we didnโ€™t get more of this great shit. Stylistically speaking the band had serious potential, I really liked their grotesque artworks and insane Abscess-like handwriting!

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Morbid Gods โ€œRotting Propheciesโ€ 7โ€ณ, Temple Of Abomination 2011

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Oggi il Dottor Marciume ascolta: Morbid Gods โ€œRotting Propheciesโ€ 7โ€ณ, insubstantial Death Doom from US, Temple Of Abomination 2011

Punk crusties turned to OSDM sometimes score great bands like Black Blood Invocation and sometimes they just shoot in the flock to catch some easy prey with debatable results. I still have no idea why Blood Harvest created this sub label for just a handful of releases as I canโ€™t exactly catch whatโ€™s the conceptual difference between the two entities but nevertheless this 7โ€ณ has been released on this small imprint called Temple Of Abomination. I picked up this 7โ€ณ totally convinced it was some repress of old Altar (swe) stuff (check the logo!) until I was already handing money for it at the record stand. I told myself hey, the logo is cool the art is cool, the worst that could happen would have been just another regular doomy Death Metal item to add to the EP crates in the Crypt of Rot. And so it turned out to be โ€“ generic songs with 3 tempo changes of routine death doom that could actually have been recorded in 1991. It sounds like a mix of demo era Profanatica and Incantation BUT played by someone who listened to the songs just once. I am not complaining too much as there is nothing wrong besides being totally soulless and without any quality of note, I personally like the idea of a recording being minimalistic and unpretentious yet there is really very little meat to chew here.

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Killing Addiction โ€œWhen Death Becomes An Artโ€ 7โ€ณ, Inverse Dogma 2015

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Oggi il Dottor Marciume ascolta: Killing Addiction โ€œWhen Death Becomes An Artโ€ 7โ€ณ, generic technical Death Metal from US, Inverse Dogma 2015

I have no idea why I keep giving this band a chance, obviously, the best stuff they released was the Necroshine 7โ€ณ on Seraphic Decay and well I have a fetish for that label, but I think the shitty raspy production gave a kick to a band that composition-wise just doesnโ€™t have โ€œitโ€. The CD they had on JL America was already highly generic uptempo meh techie Death/Thrash with boring, dangerous kind of boring I mean, you canโ€™t really listen to that while driving, influences. And yet I still have my copy of that too, you know, amazing Nick Curry cover you canโ€™t miss that. Arguably the return of the band meant better production that probably suits even better their sound. This 7โ€ณ was released on a little label from Italy and I think they did a decent job, indeed the recording is crisp and probably these riffs are way better than the ones on the album, but I cannot stand all that mid-tempo chugs and vocals that just follow every single twist. They added some melody in the twist as well, shifting inexorably the band towards a sunny corner of this genre I am not interested in.

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Beyond โ€œEnter Transcende, Iron Bonehead 2012

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Oggi il Dottor Marciume ascolta: Beyond โ€œEnter Transcendenceโ€ 7โ€ณ, awesome true Death Metal from *gasp* Germany! Yeah, Germany! Iron Bonehead 2012.

You know, Germany is not only home to โ€œhighly average Death Metalโ€ bands on Cudgel and late Morbid Records. It actually can produce amazing recordings, and hearing that coming from Iron Bonehead whose catalog of bands is 88% booooring testifies that you can expect great things any time anywhere if you just keep your eyes open and just donโ€™t catalog anything as shit just because of previous experiences. Even MBR released shitty recordings!
I am not entirely sold on the packaging, a bit too slick, layout is a bit too modern, but the cover art is killer and lyrics too have a total 1990 vibe, with mutants and all the sick Death Metal shit.
Music? This band plays true Death Metal. Great vocals, relentless savage drumming, neat powerful riffs, oscillating between the old swedish and the old south american with a great raw production, morbid guitar solos, well I cannot really find anything weak here even when they momentarily slip to mid tempo. THIS IS AMAZING. If you missed it, get it now 8 years later.

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Chaosbaphomet โ€œThe Black Communionโ€ 7โ€ณ, Under the Sign of Garazel 2012

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Oggi il Dottor Marciume ascolta: Chaosbaphomet โ€œThe Black Communionโ€ 7โ€ณ, average greek-sounding Black Metal from Greece with the guy from Unholy Archangel,
Under the Sign of Garazel 2012.

Under the Sign of Garazel is a Polish label specializing in average Black Metal and its mediocre variants, including this diluted greek Black Metal project that despite the classy folding (ultraglossy as usual) 7โ€ณ cover doesnโ€™t really push anything as dismal as its 1990 countrymates. The two songs are not entirely bad, being mostly regular Black Metal with a tinge of that special greek obscurity. The idea of having double vocals would have been interesting if neither sucked this bad, they sound like the Simpsons aunties complaining about coffee. I appreciate the idea of keeping it minimal and the Hellenic tinge is certainly here to some extent but hardly worth buying it on vinyl like I did.

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