Category Archives: Reviews by genre

Killing Addiction “When Death Becomes An Art” 7″, Inverse Dogma 2015

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Oggi il Dottor Marciume ascolta: Killing Addiction “When Death Becomes An Art” 7″, generic technical Death Metal from US, Inverse Dogma 2015

I have no idea why I keep giving this band a chance, obviously, the best stuff they released was the Necroshine 7″ on Seraphic Decay and well I have a fetish for that label, but I think the shitty raspy production gave a kick to a band that composition-wise just doesn’t have “it”. The CD they had on JL America was already highly generic uptempo meh techie Death/Thrash with boring, dangerous kind of boring I mean, you can’t really listen to that while driving, influences. And yet I still have my copy of that too, you know, amazing Nick Curry cover you can’t miss that. Arguably the return of the band meant better production that probably suits even better their sound. This 7″ was released on a little label from Italy and I think they did a decent job, indeed the recording is crisp and probably these riffs are way better than the ones on the album, but I cannot stand all that mid-tempo chugs and vocals that just follow every single twist. They added some melody in the twist as well, shifting inexorably the band towards a sunny corner of this genre I am not interested in.

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Beyond “Enter Transcende, Iron Bonehead 2012

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Oggi il Dottor Marciume ascolta: Beyond “Enter Transcendence” 7″, awesome true Death Metal from *gasp* Germany! Yeah, Germany! Iron Bonehead 2012.

You know, Germany is not only home to “highly average Death Metal” bands on Cudgel and late Morbid Records. It actually can produce amazing recordings, and hearing that coming from Iron Bonehead whose catalog of bands is 88% booooring testifies that you can expect great things any time anywhere if you just keep your eyes open and just don’t catalog anything as shit just because of previous experiences. Even MBR released shitty recordings!
I am not entirely sold on the packaging, a bit too slick, layout is a bit too modern, but the cover art is killer and lyrics too have a total 1990 vibe, with mutants and all the sick Death Metal shit.
Music? This band plays true Death Metal. Great vocals, relentless savage drumming, neat powerful riffs, oscillating between the old swedish and the old south american with a great raw production, morbid guitar solos, well I cannot really find anything weak here even when they momentarily slip to mid tempo. THIS IS AMAZING. If you missed it, get it now 8 years later.

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Chaosbaphomet “The Black Communion” 7″, Under the Sign of Garazel 2012

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Oggi il Dottor Marciume ascolta: Chaosbaphomet “The Black Communion” 7″, average greek-sounding Black Metal from Greece with the guy from Unholy Archangel,
Under the Sign of Garazel 2012.

Under the Sign of Garazel is a Polish label specializing in average Black Metal and its mediocre variants, including this diluted greek Black Metal project that despite the classy folding (ultraglossy as usual) 7″ cover doesn’t really push anything as dismal as its 1990 countrymates. The two songs are not entirely bad, being mostly regular Black Metal with a tinge of that special greek obscurity. The idea of having double vocals would have been interesting if neither sucked this bad, they sound like the Simpsons aunties complaining about coffee. I appreciate the idea of keeping it minimal and the Hellenic tinge is certainly here to some extent but hardly worth buying it on vinyl like I did.

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Repulsive Feast “Brewing Rancid Stew” 7″

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Oggi il Dottor Marciume ascolta: Repulsive Feast “Brewing Rancid Stew” 7″, honest horrror Death Grind from Germany, Lycanthropic Chants 2019.

Horror inspired Death Metal is probably my favourite stuff and all intentions are good on this 7″, including the retro 1990 layout, which however feel quite awkward and slightly out of place on deluxe glossy paper. Also I have the general impression that the layout is thriving to capture some aesthetic that’s not really in place here (same thing I’d dare to say about Cryptic Brood, to be honest, but also works for Undergang).
Repulsive Feast play uptempo, sometimes sloppy (in a good way) ugly Death Metal with some early swedish vibes, all in all much better than Cryptic Brood with whom they share drummer and label (run by the drummer btw). The sound was a bit rawer and I enjoyed it a bit more on the previous demo tape (which I’d rate 8 skulls full of guts) but manages to sound tight enough.

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Morbid Sacrifice, 2019 Cursed

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Oggi il Dottor Marciume ascolta: Morbid Sacrifice, decent basic Black Metal from Italy, Cursed recordings 2019.
Lim. to 66.

Decorously obscure, almost punklike at times, with cavernous vocals and an excessive pinch of mid tempos that gets sleepy instead of hypnotic. They recently released a full-length that sounds killer when it doesn’t slow down (they do it very poorly), albeit with a logo that has been hideously ravaged by 1999 Photoshop bevel. Could be paired with porter beer and Demonomancy and nobody would complain.
As a side note, this is probably the only good stuff the label released, the rest being Black Oath (fag hippie music) and other mediocre generic black metal.

EBOLA (Ita): “You Know” tape Ep

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Argh, this is one of those nightmare cases when I don’t really have an idea on how to store a  record. I got this seemingly unknown Cd-r together with a tape cover, so I could either use a deck and copy the songs on a standard tape or store the CD-r as it is in the inextricable forest of CD-r and random formats on my shelf. In any case, I probably lost the envelope and accompanying sheet so I have no clue who sent me, nor any extra details. I can only presume the band is Italian as there is an address of an Italian distro added by hand on the envelope. Who knows. But. It was in the big pile of stuff to review so regardless how it fell there, it deserves at least a note.

This band plays an hybrid of noisecore and black metal, in particolar I’d say the first 3 tracks are definitely more noisy and the latest one more on the traditional side, but nevertheless you can say it’s the same band all the time. The first songs are just a mix of super-distorted cyclical raw noise without any sort of melody, yet if you listen with some attention you can hear there is some structure in the background. I am not much into these screams but I think they complement decently with this raw mass of corroded chords, especially because they tend to disappear in the background. The good thing about the vocals is they sometime turn into bellows of agony, as if someone is being grinded into some machinery. I won’t rate this tape as mandatory, but it’s certainly better than most of the “plastic lame and weak” black metal of today.