Malicious Hate is a relatively old band from Michigan (we’re talking about the eighties here). They released a rather interesting album back in 1996 – whose real spotlight was a cover so memorable I cannot resist to repost it below – please notice the subtle use of greens, fuchsias and violets is nothing short of shocking!
The good part in this promo Cd however, is not the cover, but the content! As the Cd-r I got from the band is… blank. I checked it on several players and burning softwares and it confirmed my fears, it is completely virgin. Either this is a really extreme (even though not new at all) form of industrial noise anarchy, or something just fucked up during the preparation of the promotional package. This 2007 promo is not listed anywhere else on the Internet so I wonder exactly what was supposed to be contained here. Maybe advance tracks from a forthcoming album? I guess I’ll never know!
I am not an incredible fan of cold, mathematical, technical brutal Death Metal – American style. But when it is played properly, it is able to raise so much intensity and thickness you really cannot get with other forms of standard Hard Core and Metal. Defeated Sanity‘s sophomore “Psalms of the Moribund” delivers hard and efficiently, an incredibly thick carpet of frighteningly intricate guitar work, guttural stone-grating vocals and hyperblasting drums. I think I even saw them live once but for some reason I completely overlooked them. It might be since this is not the kind of bands I like to see in an open air gig where the sound is dispersed in the ether.
The sound on “Psalms” is deep, bass heavy and suffocating, the kind of sound that coupled with non stop constant blasting and curving leaves no breathing space whatsoever. The production as said before is rather sludgy and mucky, but to me it fits finely, it almost as you can see the meatcleaver chop and hack and truncate chinks of flesh from a cadaver. Not a total swamp like in Enmity, but almost. The riffing is impressive, you got an half gazillion leaks, harmonics and squeaks in the middle of all this fucking calculated chaos. I cannot but recommend this shit for all those into hyper-intense Brutal Death where skill and musical ability is at the service of intricacy without bending to the necessity of making the sound softer. There are just 3 or 4 wigger slam riffs a la Devourment in the whole Cd, all the rest is non stop barbarity. Very, very good.
The cover artwork looks real good, however I got this promo on a shitty Cd-ROM with xeroxed cover, I cannot give an opinion of the packaging or the lyrics. I hope one day labels will realize having some promotion on a webzine might be worth sending a 2 dollars Cd instead than a 2 dollar Cd-ROM.
Angelcorpse has come out from of the tomb of ice they fell encased in some years ago. I got this album with some advance in respect to the official release date from Osmose, but I decided to hold it until now because this is not an album I wanted to take lightly. I found much difference from “The Inexorable” and I was not sure I liked everything about it. Before giving an immature comment I wanted to give it a few more listens. The problem is that, even if I am a freak for shit productions, the recording here is a bit flat and murky and really didn’t seem to give the band justice. So I went on and on and listened to it over and over. With some extra thought, I have nothing much to add more than “another fucking masterpiece of Death Metal”. I have come to a point I await for the new Angelcorpse with more trepidation that the new Morbid Angel.
It is worth saying that mostly everyone I talked about this band with in 1997-2000 was throwing shit onto it. All I heard over and over is “they’re just Morbid Angel clones”. Same words came from people in the “metal industry”. Seems like someone finally gives them the rightful respect becouse this IS one of the top Death Metal bands of all times. And I am not exaggerating it, all of Angelcorpse albums can stand with “Legion”, “Altars of Madness”, “Metal Funeral” and other classics.
This one is not far from it. I still haven’t digested the production which seems definitely fuzzy, but the riffing here is still supreme. Malevolence here is the leitmotif of Helmkamp vocals. They hiss with serpentine evilness words written with his usual class and proficiency. The lyrics are as usual so elegantly written they could be sold as a stand alone book. The drumming is flawless, the solos vibrate with imperial pride, and the guitarwork – well – is still the best you can get in the extreme metal industry. Every one of these riffs are masterpieces on their own. I am not afraid to tell Gene Palubicki is, together with Danny Coralles, Piotr Wiowrzarek, John Christ and John McEntee, the best guitarist in Metal I know today (in my own top 5 at least).
Everything in this album is proud, arrogant and imperious. Even the Petagno cover is brilliant, vaguely reminiscent of early Slayer works. Slick packaging and flawless music. One of the top albums of 2007. Period.
Holy fuck, this Cd hit me as a great surprise. I had this name Anima Damnata floating in my head several times during the last few years but I never really cared to check the band out. I am not a huge fan of Poland when it comes to Black Metal: they all have either those lyrics about trolls or about the glorious new wave of thrash metal. And the sound is usually so thin, and the vocals like hysterical mothers-in-law. Nah, not for me. Me stupid once more, I shall inject me with AIDS one of these days for my usual narrow mindedness.
Anima Damnata is a superb band indeed, a band that plays a fine brand of heavily distorted, dark and brutal kind of Satanic Death/Black Metal. Their sound is a balanced mix of 1990’s Floridian Death Metal and bestial Black Metal a la Belphegor, a mix which is definitely worth checking out. There is a really solid song writing here, with a use of double bass and guitar solos which is really unheard of today – just to shoot a few names which are completely out of place but might get an idea I would say Horror of Horrors, Betrayer, Disincarnate, Centurian, Ingurgitating Oblivion, Manifest (as said take these comparisons with a pinch of salt). They have the fine elements of old school Death Metal but also the good feral arrogance of more recent bestial War/Black Metal, this stuff really not just relentlessly brutal, it is catchy in a way I was not really used to anymore, these guys PLAY their instruments instead of challenging for the most complex and skillful performance. It is probably one of the best bands I have heard this decade.
One thing I am really not good at criticizing (since I am no musician I guess) is the recording of an album. Well, even in my ignorance I liked the recording of this promo – it is absolutely clear but doesn’t stink of laundry detergent like modern “Abyss Studios” shit, it has that analogic, warm sound of albums like Deicide‘s debut. I am definitely in love with this shit, I will absolutely catch up with all their past releases. KILLER.
This band can’t be from Poland. Tell me they’re from some fucking Brazilian ghetto!
I know I shouldn’t but here is an Mp4 for your listening. I’ll delete it in a few weeks or upon request of the band: anima-damnata-4
As a standard rule, Brazilians just like most South Americans, do it better. At least when we talk about Metal, and extreme forms of Metal in general. Some of my favorite bands ever come from Brazil and – god be damned – I am always excited when I hear about a band from this country I don’t know, because they have a dedication to the cause which is completely different from that of most of us Europeans. In general, but now always, a Brazilian Death Metal band has a sense of belonging, a sense of brotherhood and mutual support which is unrivaled everywhere else on Earth.
My friend Douglas from 2+2=5 records handed me this fantastic demo (wrongly self asserted to be a “promo”) a few months ago. Top notch logo with skulls, black and white cover, raging song titles, big “old school death metal” statement on the cover – everything seemed to go for the better. I gave it a listen right as soon as I was home but… I wasn’t over escited about these 4 tracks, even after three listens. I preferred to wait a few weeks before giving it another try.
My conclusion is that Infamous Glory is definitely more a Metal band than a Death Metal band. Even if they describe themselves as “Old School Death Metal”, and I absolutely confirm it, they’re not exactly “old school” as we mean it today. Their roots come slightly before the 90’s, as most of the structures and riffs remind me of late ’80’s classic Metal than the raw, dark Death Metal of the golden age. Forget about old Imperious Malevolence, Ancestral Malediction or Mental Horror, as this band does not runs for the fastest and heaviest position. They play a mix of genres that goes from Death Metal a la Diabolic, Deceased, Infamy, Pessimist to more generic Black Metal, with an abundant influence of Thrash and some virtuous soloing. There is surely a good share of brutality, as the drummer knows how to blast, and the vocals are powerful, but in general I cannot find a line in the song writing. Some chugs seem pretty pointless and for some reason the fury doesn’t manage to pierce the amp if you know what I mean. Good, flawless Death Metal is what they play, but I feel it’s lacking some punch. Good stuff, but needs some more straightforward songwriting and to get rid rid of some embellishments. Add some Nunslaughter and we might get some really killer thing.
Oh my, I am really getting tired of listening to only good bands these days (ah ah)? Seriously speaking, Blaspherian is another of those bands you really do now want to miss from the freshly renewed scene of real Metal of Death: a band that walks the fine line between doomish Death Metal a la Autopsy and Winter and Brutal Satanic Death a la Imprecation, Incantation, Vital Remains, Hibernus Mortis etc. Deep, infernal vocals creep out of a wall of sound made of sludgy riffs and nastily twisted, low tuned distortions – these songs are glorious hymn of blasphemy, obscure and foul, no frills or guitar wanking, just blasphemy. As usual, we’re reminded that you don’t need overly complex guitarwork to make the Death Metal alchemy work – most of these songs are relatively straightforward, but at the same time full of grim dark force. You got all the powerful crunch without the shitty slam wiggerish shit if you know what I mean. This is definitely how Death Metal is meant to sound like. Maybe it is just lacking a little bit of that eerie, disturbing feel of early Incantation to be really perfect (you know, that hidden, malicious vibration), but we’re definitely splitting the hair. If we talk about American bands, this is definitely one of the best I heave heard lately, as the real Death Metal movement seems to be mostly an European thing recently. Blasphemous, deep Death Metal for lovers of dark sounds and guttural brutality.
This album has been released by Die Todesrune, an otherwise pretty inactive label for what concerns true Death Metal, apart from Crucifier from what I remember. They also have a split 7″ out right now on Hell’s Headbangers, sharing vinyl with the excellent band Evil Incarnate. Next to be released is another 7″ by the name of “Unholiness Unleashed” and a second full length by the name of “Infernal Warriors of Death”. No need to say this is the stuff for which is worth spending your money.
Now we’re talking, baby. While it’s true nobody can clearly state when the Death Metal phenomenon came out, I guess everybody would agree the peak of it was just cross 1990 (year more, year less). That’s the time when it attained its clear identity, still freshly rooted in the carcasses of other musical genres soon to be dead like punk and thrash metal. It is in that rotting, dark, gloomy and worm infested environment that we first perceived Death Metal was getting a status as a genre on his own, instead of being just an adjective for other forms of metal. I gave up long time ago any hopes that the spirit would come back again, but at least I hoped that people could understand a glimpse of how magic that period of my youth was. Even if there are several things I don’t like in reunions of legendary bands and teenager revivals, I admit the Death Metal scene has never been so healthy in over 15 years.
All this bullshit to introduce one of the best results of post-2000 retro-Death Metal phenomenon. Graveyard from Spain are just playing with the same convincing spirit of the real founders of the genre. I have dug deep in my lexicon to find words to describe this music, but I realized there was no need to describe it, it is just Death Metal with capital “D”. Obscure, murky and grotesque as early Finnish demo bands like Depravity, Abhorrence or Funebre, yet with a few bursts of the galloping ride frenzy of early Unleashed (curiously this is limited to a few riffs, you just can’t hear that kind of songwriting all through the songs).Even if I adore this shit, I have to admit other bands like Dead Congregation or Crucifire are preparing the same dish but with a much improved recipe. In other words, you probably have to do something more to stand out of this new wave of old school bands flooding the underground. Much appreciated by me however, since the sound is flawless. Great roaring, slightly echoing vocals, crunchy super distorted guitar sound, and an eerie, disturbing melody all over make this band a must have for a good collection, I hope someone does it on vinyl one day. I can live without the melodies however, if you know what I mean.
No comments on the packaging today, since it’s just a home made Cd-r with xeroxed cover. I find the cover art a bit too ironic too.
