I always find it a bit difficult to find parallels between boys that play musical instruments on stage and maybe participate in a few weekend full contact sessions with paint guns and real soldiers that see their friends torn to pieces by shrapnels, that visit places where real people die including your strict relatives. But the philosophical message here is strong and that’s not the weak spot on this album: it’s the music that really fails here. This album is one of the best examples of hideously generic thrash/death metal I have heard this year. Sure ly some riffs are nice, and they even attempt a killer echoing “ugh ugh” during the first fast opening riff in the best Celtic Frost tradition, and the solos are actually thought out and cool – but the scattering of good chords and soporific mid tempos is quite hard to understand and to find any coherence in. It’s like that movie “Memento” where all the scenes are cut and pasted backwards. You hear the same mediocre galloping riff 8 times, and then a completely different one drops in, coming from some third grade band from Melbourne. It’s as if someone cut the film in the cassette master and hastily taped it together randomly. This again doesn’t mean they inherently suck, they’re just totally unbearable because thrashing energy never bursts out, always squeezed in a vaguely Australian styled neo “denim plus million patches” Thrash Metal composition that really tastes like Kosher meat without seasoning. The vocals are terribly banal but for once I won’t twist the knife in the wound. This band is definitely not for me, even if the premises were good it lacks completely of catchiness. If only they could take an inch of old Vader or Sadus they could as well be something. As it is I could barely keep my lids open after 10 minutes of mono-frequency vocals and semi identical riffs. Not as bad as the previous one but still light years from being interesting.
SPEARHEAD (Eng): “Decrowning the Irenarch” Lp Cd 2007 Invictus
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