Well first off I’d like to say that “Sepulchral Voice” is my favorite Sodom song ever – the choice of using it as a label name is brilliant (well, we’re on the lines of Deathlike Silence but when we talk about songs like those, we cannot criticize) – not much but that’s the most clever thing I can think of as of now. Do you have the idea of how fucking good this is? Seriously speaking, this music is Evil with capital “E”. I’d like to hear what politicians and religious people that found the Devil’s speech in albums by the doors or led zeppelin albums would think of something as dark as this. There is surely a lot of Celtic Frost hovering among the tracks, and a tidbit of earliest Mortuary Drape‘s theatrical evocativeness – but most of all, there is class, the class of a deranged painter covered in sperm, dried blood and drool drawing the lines of his own insanity with the colors of fucking hell. In every field real artists know how to weave a masterpiece with just a few strokes, and this album reflects this concept on music. You don’t have overly complicated guitar riffs. Actually most of them are quite simple yet arranged with such a taste and elegance that everything flows like black blood running smoothly from an altar of sacrifice* – simple fragments of dedication to the cult of evil arranged with meticolous taste. I love the vocals – the last time I heard ones so malignant was in Immolation‘s “Dawn of Possession”, but they’re just the right complement to a balanced macabre ballet of death and putrefaction. Ave to the lord of Flies, Asmodeus rex.
*Curse of the damned / Confronting the evil you dread / Coalesce into one your shadow and soul / Soon you will meet the undead
Slow and melodic…
Slow and melodic…
obscure necromantic death metal
obscure necromantic death metal